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Joe Godfrey |
Photos courtesy of Don Taylor, Bob Kane, and Larry Lowe. Check out Larry's new flight planner for the Palm Pilot.
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| About the Author ... |
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Joe Godfrey mixes his love of flying with a
love of music. He is an instrument-rated private pilot who flies a 1974 Bellanca
Viking based at Palomar airport just north of San Diego, Calif. He composes
music for commercials, films, broadcast and corporate media and has composed and
produced thousands of music tracks for America's largest advertisers. In
addition to writing for AVweb, Joe contributes to
The Aviation Consumer
and IFR Magazine.
He is a director and pilot for
Angel
Flight West, a non-profit organization that uses private airplanes to fly
indigent medical patients. He is married and lives in Leucadia, California.
So far, Joe is the only AVweb staff member who has logged time with Ella Fitzgerald and
conducted the London Symphony.
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Henry Haigh was born in 1924 in
Ann Arbor, Mich. It wasn't long before he was flying aerobatic competitions
using gas-powered RCs. Uncle Sam taught him how to fly real airplanes, but WWII
ended before Henry could get into it. After some time off to raise his family
and start a business, Henry bought a Ryan PT-22 and resumed flying, and began
competitive aerobatics in the early '60s, winning his first contest. He won the IAC
competition at Fond Du Lac a total of seven times, placed second in the United
States championship several times, and won the United States Aerobatic
Championship in 1980.
He was on the U.S. team every year from 1973-1991. In 1976, Henry placed
first on the U.S. team, but with USA-USSR tension building, the proverbial
Russian judge bumped him to 13th overall. He kept practicing, changed airplanes,
modified his routine, always looking for improvement. In 1988, at the age of 64,
the dedication and practice paid off when he won the World Aerobatic
Championship, beating second-place finisher Kermit Weeks. AVweb's
Howard Fried says Henry is "the smoothest and most precise manipulator
I have been privileged to observe in a lifetime of attending airshows and
aerobatic competitions." These days, retired from competition, Henry lives
in Howell, Mich., and flies a Super Cub, a C-185 on floats and is building a
modified Super Cub. He was inducted into the IAC
Hall of Fame in October, 1999.
What do you remember about learning how to fly?
When I was a kid I just took to airplanes. Every toy I ever cared about was a
model airplane or something that flew. I got into gas-powered model airplanes in
high school and entered some contests. Just as I was getting into that I joined
the cadet program of the Air Force. I graduated from the cadet program in 1944
and went to B-24 school in Kirtland, Alabama. I finished B-24 school on VE day,
the day the war ended in Europe. That stopped all training of B-24s, there was
no point in doing any more. So I was sent to B-29 school and was sent to Kearns,
Utah, which is an overseas replacement depot. While we were training there and
waiting to get a whole squadron together to go to Saipan for an attack on Japan,
they dropped the atom bomb and that ended all the training. So I'm lucky that I
got a lot of very expensive excellent training and never had to shoot anybody or
get shot at.
I got an education, too. Prior to my entering the cadet program they had a
requirement and were only taking people with two years of college or better.
They ran out of those guys about six months before I joined up. So they put out
the word that if you volunteered for induction you could get into the Air Force
and they would send you to a college training detachment. That's how I got in
and I was sent to the University of Tennessee where I got a year's credit.
After the military I went to Wayne University to finish my education. My
father had started a small machine shop during the war making B-24 parts, which
is ironic. When the war ended he started making parts for Ford and GM and that's
where I worked part-time when I went to college.
There's a Henry Haigh high school in Dearborn. Who is that named for?
That's my grandfather. He was one of the pioneers in Dearborn. He was a
lawyer and a friend of Henry Ford. When he retired from law he did some writing
for the Henry Ford Museum. That's about all I remember about him.
When did you get interested in aerobatic competition?
I put flying on the back burner after the military. I was concentrating on
college and I got married and had the responsibilities of a family so I didn't
really touch an airplane for about 10 years after I got out of the Air Force.
One of my loves was aerobatics so when I did get back to flying that's what I
started doing. I had a traveling airplane, a Cessna 172, and I'd fly to see
customers with that. But for aerobatics, I bought an old Ryan PT-22, which is a
terrible aerobatic airplane. It would go upside down and it would do a loop but
the only thing it did really well was snap rolls. It did beautiful snap rolls.
I was slowly leaning toward competition and I got to know some of the people
doing it. I flew the Ryan for a few years then I had a Zlin, then a B
cker and
along the way I met Curtis Pitts. He sold me a nice round-wing Pitts and I
started competing in about 1970, and I was able to compete for about 20 years.
When did you enter international competition?
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| The Nesterov Cup |
I had always had a goal of being on the United States Aerobatic Team that went
against the best pilots from around the world. I qualified for that team in '73
and I was a member of the team every year from '73 until '91. In order to do
that you have to finish 5th or better in the U.S. National Championships. I did
a six or seven regional competitions a year in the states to practice for the
internationals. I finished first on the U.S. team when we went to Russia in '76,
but I finished 13th overall. I took a beating from the Russian judge.
I finished second in the 1980 world championship in Oshkosh. I kept training
and working on getting better and I went to Spitzerburg, Austria in 1982 and
missed winning the world championship by 5 points out of 17,900. It was close. I
won the world championship in Red Deer, Alberta in 1988, at the age of 64. I'm
in the Guinness Book of Records as the oldest pilot ever to win the world
championship.
I'd like the politicians to explain if an airline pilot isn't qualified to
fly at age 60, how could I come along at 64 and beat 80 of the world's best
pilots? I think it ought to be up to the individual's physical condition. They
should set some high standards but if a pilot gets to be 60 and he's physically
capable and his heart's in good shape I don't know why he shouldn't be allowed
to keep on flying for a while. There are quite a few airline pilots in aerobatic
competition. I got to know them and compete against them and they hit 60 and
they can still fly competitions but they get kicked out of the airline. Here's a
guy who can push and pull 9 Gs for 20 minutes at a time and he does it four or
five times a day and he's in great shape.
I couldn't say what the arbitrary cutoff date ought to be but there are
certainly a lot of guys out there flying that ought to be allowed to go on if
they want to and they can meet the physical criteria for it.
Who were your teammates on the U.S. teams?
There were so many talented pilots. Many of them were airline pilots and many
weren't. They were all extremely talented. I'd hate to start naming names
because I'd hate to leave somebody out. Everybody that made it to the team was
dedicated and capable.
Tell us about the international competition itself and how you prepared
for it.
The program when I was flying was to fly three separate flights in front of
judges. One of the flights was a known compulsory that was published at the
beginning of each year. The international teams would have input and they'd
develop a routine of about 20 maneuvers over twelve minutes or so. Everybody in
the whole world flies the same routine. You find out about it early in the
spring and you can practice it all summer long. Then there's a freestyle flight
that has has to include so many maneuvers from each family and it's about the
same length. That one you can design yourself. The last flight is an unknown
that nobody gets to see until the day before so you don't get a chance to
practice it. When it gets handed out you take it back to your room and study it
and try to memorize it. The way to prepare for that is to practice all the
maneuvers that you know will be on the unknown. It's about the same length as
the other two flights.
Just going out and practicing one maneuver over and over doesn't give you the
proper workout because you can set up the entry speed any way you want to. The
way to practice a difficult maneuver is to put a couple of maneuvers ahead of it
so you force yourself to think ahead and set up the proper speed and the correct
position coming into it.
I practiced around home every day, with at least one 25- or 20-minute flight.
That doesn't sound like a lot but when you practice the 100-yard dash you don't
practice it for an hour. I'd go out and fly two routines of about 10 minutes
each, then spend another few minutes on individual maneuvers. That would give me
about a half-hour of flying and I'd be wringing wet and there'd be perspiration
on the canopy and I'd put the airplane away and come back and do the same thing
the next day.
For a big contest like the U.S. Nationals or Fond du Lac I'd go off for a
week with my friends, the other competitors. One of us would fly and the others
would critique us on the radio. I'd be helping my competitors just like they'd
be helping me. In five or six days of that you could log about 14 hours on the
tach. That isn't a lot of cross-country time but that's a lot of practice.
How much did you modify your freestyle from year to year?
I kept trying to make it easier for myself. The freestyle used to be 30
maneuvers. But when you've got eighty pilots in world competition and it takes
two days to fly the whole group it's killing the judges. They're standing out
there 10 hours a day in the hot sun. So they cut the freestyle from 30 maneuvers
to 20, but they left the difficulty coefficient the same, so you had to compound
more maneuvers. You couldn't just pull up and do a hammerhead, you had to do a
roll coming up and a four-point roll coming down, or some other compound
maneuver to keep the difficulty coefficient up. So every year I'd look for a way
to build a routine that I could fly and get points.
How big is the competition
box?
The box is 1,000 meters square with white panels on the ground that are big
enough to be seen from 3,000 feet. The boundary judges are 50 meters outside
that box with sighting devices and radios and if you go outside that box you're
dead. You have no chance of winning an international title if you go outside the
box.
So it's important to have the airplane exactly where you want it for every
maneuver, and while you're in the middle of that maneuver you're thinking two or
three maneuvers ahead. This is all happening very fast and there's a lot of
physical strain. To do the routine properly you're looking at nine Gs positive
and negative every time I'd fly. You develop some tolerance for the Gs by a lot
of practice. If you just started at nine you'd pass out. You have to work up to
it. Here in Michigan I couldn't fly much in the wintertime so when I'd start
flying again in the spring it would take me two weeks to get acclimated to
pulling and pushing Gs again.
Did you ever turn the wrong way or skip a maneuver?
Oh sure. Everybody does that when they're starting out. You've got your card
there on the instrument panel and it's very easy to skip a line and leave
something out, or turn the wrong way. And you've got places where you can
substitute one maneuver for another. It's very easy, for instance, to substitute
a half-Cuban for a horizontal 8. The first part of a horizontal eight starts out
as a half-Cuban. You might pull up into a horizontal 8 and do the half roll
coming down and now you're in the Cuban 8 and you've got a Cuban 8 you're
supposed to do later and now you're lost. That can happen when you're starting
out then as you get more comfortable you take steps to make sure it doesn't.
Did you fly the competitions in the Haigh Special?
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| The Haigh Special |
The Haigh Special is one of the last airplanes I built. I sold that to Chris
Panzl. It's a highly modified Pitts. The top wing was swept, the fuselage
was longer, much bigger engine, retractable landing gear, and it was quite a
performer, but I never competed with it. I competed with two airplanes, one I
called a Super Pitts. It was the first Pitts to compete with spring aluminum
gear, it was a very clean airplane, very light, and had 15-20% better vertical
penetration that a stock Pitts. I flew that airplane until 1978 when I switched
to a monoplane that I called a Superstar. I switched to the monoplane because
the Europeans kind of looked down on the biplanes. I will admit that the Pitts
is so small and boxy that it's difficult to judge it. The biplanes outperformed
anything out there, and still do, but when the Europeans went to the monoplanes
it was hard to score well with a biplane. That's why I switched.
The Superstar is a standard mid-wing airplane with a 200-horsepower engine.
It had very good vertical penetration but you had to fly it very fast. The
monoplanes were hard to recover from if you happened to get low and slow on an
unknown routine, for instance. The biplanes were so light and agile that you
could get the speed back, but you really had to control the monoplanes. I won
the world championship in 1988 and finished second in the world in 1992 in the
Superstar.
Can we ever get the politics out of international competition?
In 1976 the Russians made a political contest out of what should have been an
aerobatic contest. Their press releases announced that their Russian pilots were
doing so well, and they played a lot of games with us. It was the first world
contest I had ever flown in. There had been no world contest in 1974 for some
reason so it had been four years since the last competition and we really
couldn't get much feedback from the previous U. S. team pilots. So we were
learning from the beginning and the Russians had some fun with us, changing the
rules in the middle of the game and pulling little funny tricks. It was a good
learning experience for us.
In all those Gs did you ever have a structural failure or an engine
failure?
Everybody has an engine quit on them once in a while I guess. I read
somewhere that your chances of having a complete engine failure are about the
same as your chances of winning the Irish Sweepstakes. So I flew for years and
years and never had any trouble and then I won the Irish Sweepstakes two times
in one year. I had a Bonanza with a brand new engine that threw a rod and
disintegrated the engine. Fortunately I was coming into the Pontiac airport when
it happened and I was able to make it in. I've had little problems now and then
that everybody has, but I think the military training that I had taught me to
handle the emergency and stay cool. No matter what you've got to keep flying the
airplane.
I like that old saying: Let me use my superior judgment to keep from having
to use my superior flying skills to stay out of trouble.
Both of your sons fly. Did you teach them?
There's a problem when you start teaching your family. When you tell somebody
they did something wrong or made a mistake it changes from instruction to
criticism. It's very difficult to overpower that. My oldest boy was living in
Tennessee and got to know the airport manager there and that's where he learned
to fly. I did give a lesson or two to my younger son and I could see right away
that no matter how careful I was with my words and no matter what I did
everything came off as criticism. There was a heck of a good instructor nearby
and I liked his system. He gave all of his students their first 15 or so hours
in a J-3 Cub, then switched them to a 150 for the radios and instrument work. So
my son Matthew got real good training and now he's a heck of a good pilot.
What is that instructor's name?
Joe Grastik is his name. He's no longer living. He was a commercial painter
and taught flying in the evenings and on weekends and put a lot of students
through his school.
What products does Haigh Aviation make?
My son started a company a while back to make machine parts. We manufactured
a tailwheel for the Pitts. It can be a difficult airplane to land. When I was
flying I was always fooling around changing things, trying to improve them, and
one of the first things I made was a lockable tailwheel for the Pitts. That made
it a dream to land and I guess we've sold about 3,000 of them. The company right
now is making automotive parts with computerized milling machines and now doing
anything aviation-related right now.
In the AOPA airport directory there's a note for the Howell, Michigan
airport that says "intensive flight training." Is that you?
I wouldn't call it intensive. We have two schools on the field and they do
pretty well. The airport has had some problems, like a lot of small, local
airports out in the country. But it's starting to get developed now, and they're
putting in an instrument runway and making other improvements. I don't teach.
What airplane are you flying now?
I have a Super Cub and a 185 on floats and I'm building an airplane that'll
be a modified Super Cub. I don't fly aerobatics anymore. I've been there done
that. I spend time fishing and take the floatplane up to Canada.